|








| |

In its 2006-2007 season, the Bryn Athyn Orchestra marked its 80th year of performing classical and popular music for the community in and around Bryn Athyn. From its beginning in 1926, and for its first ten years, the orchestra was just a loose coalition of musicians who performed under the direction of Frank Bostock. In 1936, the orchestra was integrated into a non-profit association. Through the years, nearly 250 musicians have played in the orchestra; one of the original members was Raymond Pitcairn.
The orchestra represents a meeting of the generations; for example, at its May 2002 mother's day concert, the oldest member was 86 years old, and the youngest 12. One member, Peter Gyllenhaal, began playing for the orchestra when he was in high school. Now in his 80's, Gyllenhaal has been with the orchestra more than 56 years.
In its early years, almost all of the orchestra members lived in Bryn Athyn. This is no longer the case. Today, about half its members come from other areas; some are professionals enlisted to fill in needed positions. One such professional, Daniel Kujala, was hired to play the cello more than eight years ago. Kujala now conducts the orchestra. Prior to coming to Bryn Athyn, Kujala, a native of Chicago, served as principal cellist for the Cedar Rapids Symphony. Locally, Kujala performed as a soloist with the Ambler Symphony and the Orchestra Society of Philadelphia. His first appearance as conductor for the orchestra was on Mothers Day 2002. "He's a strong conductor," says Bob Zecher, president of the Bryn Athyn Orchestra association. "He knows what he wants and can communicate it to the musicians."
Today, the orchestra boasts of over 40 regular members, including students, and performs at the beautiful Mitchell Performing Arts Center in Bryn Athyn.
Adapted from Joe Harrington's article in the May 6, 2002 issue of "The Globe"

(Click for larger picture)

| Albinoni |
Adagio for Organ and Strings in G minor |
| Bach |
Brandenburg Concerto No. 2;
Brandenburg Concerto No. 5;
Concerto for Flute, Strings and Continuo in E minor |
| Bartok |
Two Romanian Folk Dances |
| Beethoven |
Symphony No. 3, No 6, No. 7, and No. 8; Coriolan Overture;
Romanze in F. Major for Violin and Orchestra;
Violin Concerto;
Piano Concerto No. 4 in G Major, Op. 58;
Symphony No. 9 in D minor, Op. 125 "Choral" |
| Berlioz |
Les Francs-Juges Overture |
| Bizet |
Symphony No. 1 in C |
| Brahms |
Double Concerto for Violin and Cello, Op. 102;
Symphony No. 1 and No 4;
Tragic Overture; Violin Concerto in D |
| Cherubini |
Symphony in D major |
| Copland |
Quiet City |
| Debussy |
Prelude to the Afternoon of a Fawn; La Mer |
| Dukas |
The Sorcerer's Apprentice |
| Dvorak |
Czech Suite, op. 39;
Slavonic Dance, Op. 46, No. 8;
Symphony No. 8 |
| Faure |
Elegie for Cello and Orchestra, Op. 24 |
| Finzi |
Introit for Small Orchestra & Violin |
| Glinka |
Ruslan and Ludmila Overture |
| Gluck |
Dance of the Blessed Spirits (from 'Orpheus') |
| Gounod |
Petite Symphony for Winds |
| Gordeli |
Concerto for Flute and Orchestra |
| Haydn |
Symphony No. 103 (Drumroll);
"London Symphony" (#4);
Cello Concerto in D |
| Hovhannes |
Prayer of Saint Gregory |
| Hummel |
Concerto for Trumpet and Orchestra |
| Koussevitzky |
Concerto for Contrabass in E minor, Op. 3 |
| Mahler |
Des Knaben Wunderhorn (songs);
Symphony No. 4 |
| Massenet |
Le Roman D'Arlequin |
| Mendelssohn |
Symphony No. 3 (Scottish);
Violin Concerto, |
| Mozart |
Overtures to Don Giovanni;
The Marriage of Figaro;
The Magic Flute;
Symphony No. 35 ("Haffner");
Oboe Concerto in C Major, .314 |
| Rachmaninoff |
Vocalise, Op. 34, No. 14 (violin) |
| Ravel |
Le Tombeau de Couperin;
Pavane pour une Infante Defunte;
Oiseaux Triste (from Miroirs) |
| Respighi |
Ancient Airs and Dances |
| Rimsky-Korsakov |
Scheherazade |
| Rosauro |
Concerto for Marimba and Orchestra |
| Rossini |
Overtures to Semiramide and William Tell |
| Saint-Saens |
Concerto No. 2 for Piano and Orchestra in G minor, Op. 22 |
| Scarlatti-Tommasini |
Suite du Ballet |
| Schubert |
Rosamunde Overture;
Unfinished Symphony (#8) |
| Schumann |
Symphony No. 3 in Eb Major, Op. 97 )Rhenish) |
| Sir Arthur Sullivan |
Overture to Iolanthe |
| Shostakovich |
Symphony No. 5 in D minor, Op 47 |
| Strauss |
Tales From the Vienna Woods |
| Tchaikovsky |
Symphony No. 5 |
| Vaughan Williams |
Overture to "The Wasps";
Concerto in F Minor for Bass Tuba and Orchestra;
Suite - "English Folk Songs" |
| Vivaldi |
Concerto for 2 Trumpets in C Major, RV 537 |
| von Weber |
Overture to Oberon |
| Yardumian |
Armenian Suite |
| |
| Musicals |
| Rodgers and Hammerstein II |
The King and I (Omni Productions) |
| Gilbert and Sullivan |
Iolanthe (with B-Act Community Theater) |
| Prokofiev |
Peter and the Wolf (with Dance Theater of Pennsylvania) |
| Tschaikowsky |
The Nutcracker Suite Ballet (with Jessica Bostock Ballet) |
| |
| Professional Soloists |
| Paul Roby, violin (2 appearances) |
| Lloyd Smith, cello and Nancy Bean, violin of the Philadelphia Orchestra |
| Elizabeth Pitcairn, violin |
| Sean Kennedy, marimba |
| Jacqueline Smith, soprano |
| Jay Krush, tuba, Temple Music Faculty |
| Rita Smith, oboe, Settlement Music School Faculty |
|